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Wow - that indeed is close. And the sentiment is aligned with what I recall. Perhaps he honed the idea further in a subsequent work. Or perhaps that is what I saw and I’m not remembering it precisely. Thank you, thank you! 🙏
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You are most welcome, Star.
It became obvious while re-reading Dreamtigers the other day, as well as that collection of quotes, that books and libraries were absolutely fundamental to Borges development as a writer and thinker. Gaining free access to his father's library was a key formative event that echoed through the rest of his life and it shows up so often is what is really a short book distilled from other sources.
I'm now very much looking forward to re-reading Labyrinths after what must be 35 years at least - I was still in Hobart then.
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Bit the bullet and picked up a couple of Robin Hobb books from the library. Assassin's Apprentice has me intrigued.
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I like Hobb very much, some more than others.
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I haven't read any of her books written under the Robin Hobb nom de plume, but I was very impressed by Wizard of the Pigeons, written back in the day under the Megan Lindholm name. I thought it was one of the better early urban fantasy stories before the sub-genre degenerated into sparkly vampires and others of that ilk.
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I loved that one too. Still have it, tho I haven’t reread it in years.
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My current re-read of Borges' Labyrinths is going to be a work-in-progress for some time, I suspect. Likely to be measured in weeks or even months. Even though the individual stories and pieces are not long, the older version of myself that I am now is noticing the density and layered depths that they each contain. I'm sure this is something my younger self would likely not have noticed.
And I wonder is there a philosophical issue here. As we grow older and have read and absorbed much more in our lives along the way, does that aggregation of literary input and lived experience combine to both filter and channel what we are likely to absorb from future input and experiences? Does it help contextualise what we then are pre-disposed towards or repelled from?
And for some strange reason, my brain is now trying to link Labyrinths with both Vandermeer's Annihilation and Graham Joyce's Indigo. Why? I have no idea.
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Surtac wrote:
I haven't read any of her books written under the Robin Hobb nom de plume, but I was very impressed by Wizard of the Pigeons, written back in the day under the Megan Lindholm name. I thought it was one of the better early urban fantasy stories before the sub-genre degenerated into sparkly vampires and others of that ilk.
I got that one when Grim Oak did a nice hardback edition. It's a very good story, worth searching for a copy.
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I just finished a fast read of Richard Power’s’ Orfeo, which if irrc KSR recommended. My read was fast because the library loan was expiring. I liked it, the descriptions of music were interesting and have inspired me to expand my listening list. But I wasn’t wild about the book. I disliked the ending exceedingly for several reasons and the whole thing seemed pretentiously self-consciously aiming at being a tour de force. Maybe the ending was compelled by the story Power wanted to tell but I think that means I just don’t like the story much at all.
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Aja Jin wrote:
I got that one when Grim Oak did a nice hardback edition. It's a very good story, worth searching for a copy.
My brain just mis-read Grim Oak as Grim Dark. I'm not sure why it keeps doing such things.
Kokipy, thanks for that micro-review. I'm still on the fence about reading Orfeo though - not yet convinced to invest the time.
Still making slow progress on Labyrinths btw, but it requires the background noise and distraction levels here at Chateau Dysfunction to be at an absolute minimum.