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I have finally finished Tchaikovsky’s Children of Time. I liked the book. What it does best IMO is depict the intricacies of spider cognitive evolution from early lone hunters to a planetary society of sentient beings. The fiction of evolutionary biology is upon us! This alone makes the book worth reading, and I think it will always be a formative literary example of the emergence of a newly evolved intelligence.
Why Is it not a great book? Well to be frank there are few truly great books. And many good ones. This is a good one. It lacks for a lot that is only partly compensated by the joys of spider evolution. I didn’t find any characters that were particularly refined or well developed. It’s hard to become completely emotionally invested without characters to love. There are some characters - some spiders, who are mostly stand-ins for a role a spider or group of spiders would play in this scenario. The scientist, the rebel, the leader, etc. But they are not personal enough to fully grasp them let alone grok them. And there are human characters. They too were largely two dimensional in my estimation.
I could go on with critiquing issues of plotting. And tropes that felt hackneyed to me, especially regarding human foolishness. But no need. I liked the book, good book. Glad I read it. It always feels like an accomplishment when you fill a reading lacuna, and now feel more fortified to interpret the ongoing call and response of science fiction.
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Interesting analysis, Star.
I take your point about the lack of engaging characters, particularly the human ones. Fwiw my own favourite characters in this series appear in the subsequent volumes, and my most memorable non-human character is from a species we don't even see before the most recent book, Children of Strife.
I think where the series succeeds as a genuine SF epic is in the sheer scale and scope of its setting across time and space, using uplifted species that are not the usual suspects that we would expect from, say, Leinster's Exploration Team, or Brin's later Uplift War stories. Of course we also have Tchaikovsky's take on that perspective from his Dogs of War sequence of novels.
In other reading news, I have managed to finish Zamyatsky's We, though not without a struggle towards the end. I think it was getting too close to current geo-political realities for my comfort, and I kept thinking of Eco' s list of the 14 signs of fascism, along with Santayana's aphorism about not learning from history and being condemned to repeat it.
Anyway, I'll likely turn to some British police procedural crime as a form of palate-cleanser next. Not sure what my next SF genre read will be.
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Having been persuaded here and elsewhere, I have begun a book I delayed for 50 years. I had the impression it was an ugly affair, and that there was no need to proceed. I believe I was misinformed. Like Rick about Casablanca. My new starting assumptions based on further reports were that the writing is quite good if the protagonist may be troubled or unlikeable. After two chapters, I’m enjoying the writing itself, we shall see!
Lord Foul’s Bane
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I'm a big fan of all the Donaldson 'Land' books. The first trilogy is superficially a traditional fantasy, but the use of Covenant as an un-hero is what makes it different, interesting, and special. While not really part of the grim dark genre, Chronicles certainly expanded the genre beyond Tolkien style euro fantasies.
Donaldson does like to flex his language muscles. It's sometime a bit much, but is essential to the tone and feel of tthe stories.
Last edited by Aja Jin (7/21/2026 7:46 am)
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Aja Jin wrote:
Donaldson does like to flex his language muscles. It's sometime a bit much, but is essential to the tone and feel of tthe stories.
This I have discovered early. It’s over the top. But I’m bearing with it.
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starexplorer wrote:
Aja Jin wrote:
Donaldson does like to flex his language muscles. It's sometime a bit much, but is essential to the tone and feel of tthe stories.
This I have discovered early. It’s over the top. But I’m bearing with it.
I remember being particularly struck by his broader than usual vocabulary when I first encountered the books.
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Surtac wrote:
starexplorer wrote:
Aja Jin wrote:
Donaldson does like to flex his language muscles. It's sometime a bit much, but is essential to the tone and feel of tthe stories.
This I have discovered early. It’s over the top. But I’m bearing with it.
I remember being particularly struck by his broader than usual vocabulary when I first encountered the books.
The prose is unusually purple. But what was particularly striking (and I am some 40 pages in so we will see where this goes) was the voice of Lord Foul the one time I encountered him. Quite overwrought!
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I have never read a Stephen Donaldson book before. I got 8/10 too. Questions 9 and 3 were my stumbling points. That was a really fun quiz